I didn't
go to last night's event so here's today, the first full day (starting at
noon). Drinks reception this evening, so trying to be coherent!
First event today was Deborah Masson and Heine
Bakkeid, chaired by Stuart Cosgrove, an imposing man in a teeshirt over a large
torso, tapering down to cuffed jeans, alarming trainers and no socks. This was
particularly obvious as he jiggled his feet so much. That said, he was an excellent
chair, bringing wit and intelligence to the conversation and neatly including
the Local in the Limelight that kicked it off (an assured performance by
UKCBC's Neil Lancaster). Hania Allen was also supposed to be on the panel but
had come down with a bug, unfortunately. Deborah is Aberdeen's latest crime
fiction writer, with Hold Your Tongue doing well - One Eye Open is apparently
next. She received some teasing from the chair about her phone calls to doctors
at Aberdeen Royal Infirmary concerning the effects of having your tongue cut
out ... this could be why I have hesitated to read this book, but I now have a
signed copy so had better get on with it!
The chair had the nerve to ask what I'm sure
many want to know - is it possible to make a living from writing crime fiction?
Heine reckoned it was a rule of thumb that in Norway twelve people at a time
can do so, and he has just joined them. Deborah reckoned she was going to move
to Norway, calculating that her advance would pay for baked beans for her
family for a year.
I did want to talk to Deborah but the woman in
front of me in the signing queue was one of those ones who continues their
conversation with the authors when they're already signing your book, so I only
managed a word or two (apparently she has a character called Lexie in the book
and I'm guessing from her face that it doesn't end well), then contrived some
Norwegian with Heine who has put something in my copy in Norwegian I haven't
had the chance to look at yet!
In the authors' room I picked up my bag of
goodies (books, a pen, and a buttery), then turned round and found myself
facing Jackie Collins, Dr. Noir of Newcastle Noir fame. 'Jackie!' I said, taken
by surprise at recognising anyone. She gave me a big hug, obviously under the impression
that we'd met before, so we had a good chat about her trip from Newcastle and
the distinctive flavour of Granite Noir - she's so kind! I also met Fiona
Campbell and Harry Fisher, two other Locals.
In the second event I sat with a friend and some
of her friends, too, who had been present at the University of the Third Age
book group event I did last spring. This was Jackie's event, Newcastle Noir at
Granite Noir, bringing a panel from that event to ours. Oddly, this was
Icelandic writers whose work has not yet appeared in English (both are being
translated by Quentin Bates, UKCBC member and excellent crime writer in his own
right). Again we were missing one, Jonina Leosdottir, but we had Solveig
Palsdottir and Oskar Guthmundsson. Oskar, very tall and prematurely white
haired, is an optician in his day job - why did I find this a little
disturbing? - while Solveig was an actress. She did look very familiar - my
friend and I could not place her. Jackie kept a good conversation going
including some readings in both Icelandic and English, and some interesting
discussion of what it was like to set crime novels in a small community -
advantages and disadvantages. The Local who started this event was Norma
Beaton, a woman with over sixty published short stories under her belt but who
told me afterwards that her novel was making very slow progress. I really
admire people who can do a good short, and her tale of the death of a bus
station manager was excellent!
I decided it would be a good idea to pick up a
book by the other person (apart from Ambrose Parry) who will be in the panel
I'm attached to on Sunday, so I found The Silent Companions by Laura Purcell,
and after a chat with Lee Randall, who schedules us all and makes us feel
welcome, I retreated to the bar and read for a bit.
Then it was time for the third panel. At it I
met the lovely couple (whose names I still don't know) that I met last year who
are such enthusiasts for Granite Noir and book themselves into the hotel
opposite as soon as the dates are announced. It was very good to see them again!
The panel concerned topical events and their effect on crime fiction, and was
chaired not by the alarmingly energetic Fiona Stalker as advertised but by
Kathryn Harkup, purveyor of poisoned high teas at other Granite Noir events.
This was an intelligent conversation with Alice Feeney, Dorothy Koomson and
Sarah Hilary about how current events influence their writing and are portrayed
in it. This explored the emotional truths behind headlines, how fiction can
examine feelings and ideas that journalism and other factual writing does not
have the luxury to consider, the advantages and disadvantages of a long lead-in
to a book’s appearance on the market when it deals with current events. I
was slightly distracted by the man a few empty seats down from me who clenched
and released his fist over and over during Fiona Campbell’s reading.
Then it
was off to the civic reception. Last year this was clearly divided into ‘real
authors’, ‘BBC Scotland types’ and ‘locals’ (writers, librarians, archivists
and academics). This evening it was much more integrated – I had a chat with Lee
Randall, then with Deborah Masson and her friends, then with Stuart McBride and
Jackie Collins, then with Harry Fisher, John Bolland (poet, mostly) then with
some academics, then with James Grieve, the pathologist, and his wife Nicola. Then
we all mooched into the Music Hall to see, amazingly, Sara Paretsky being
interviewed by Denise Mina. I mean, good heavens! She wrote her first V.I. Warshawski
novel in 1982! And she’s still going strong – must read some more of
them. Lesley, the amazing sign language interpreter, did this event as she has
done Granite Noir before – how she keeps a relatively straight face is beyond
me!
Right, better go into recovery now
or I shan’t be in a fit state to do some running between the Lemon Tree and the
library tomorrow – oof!
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