Gosh, I don't think I could keep up one signing a week for more than a fortnight!
But yes, this Friday evening at 6.30 if you're near St. Andrews pop into Waterstone's on Market Street - we'd love to see you!
I enjoyed last Sunday in Blackwell's very much, and everyone was so kind and I was delighted to meet some lovely chatty readers. Now I'm convinced this one is going to be a disaster because, well, my mind works that way and I'm sure I can't have two good events in one week!
Lexie Conyngham's Blog: writing, history and gardening.
Tuesday, 30 May 2017
Sunday, 28 May 2017
A literary house for May
When I first read this book, when I was about the age of the
heroine, I reached the last page and almost cried that it was over – my first
experience of such a thing, and it was so strong it has stayed with me. The Silver Crown, by Robert O’Brien, was
written in 1973 and is set in America. Ellen receives a mysterious silver crown
for her tenth birthday, but finds it brings her into terrible danger. She heads
across country with her new friend Otto and his crow Richard to try to escape,
only to find herself at the heart of the mystery. The house I have chosen is
the house where Otto lives with the woman he thinks is his mother: it is hidden
in the woods and is Ellen’s first really safe bolthole since the start of her
journey.
“In the middle of Mrs. Fitzpatrick’s house there was one big
cluttered, comfortable rectangular chamber that served as kitchen, dining and
living room combined. Her wood stove was the biggest object in it… It was made
of velvet black cast iron; it had six round stovelids as big as pies, and an
oven big enough to hold a grown man (if properly folded); it stood on six shiny
legs and was studded with gleaming nickel-plated knobs and spring-wire handles
to regulate the draughts and open and close the doors. Its firebox had a glass
window, so you could see the glowing logs inside. Out over the whole thing
curved a great metal hood, with wide shelves to put things on to keep them
warm, and above that, like a single huge
organ stop, rose the stove-pipe, curving majestically up and into the
chimney.
The smells that came out of it were just as beautiful: the smell
of cloves and ham, of roasting sweet potatoes, of fresh bread, and piercing
through all of these, of a sweet cake baking.
At the stove end of the room, near a window, stood a plain
wooden trestle table with benches along
the side and a chair at the end.
The other end of the room was lined with bookshelves, and
books stood on them all the way to the ceiling. There were blue books, brown
books, green ones and black ones, but most notably they were all old books,
except for a few on an end of the one of the lower shelves. These were
children’s books that Otto had acquired one way or another.
At this end of the room there was an old but comfortable sofa,
several wooden chairs, a window seat with potted flowers growing on it and a
cushion to sit on, and a big, rather ugly new armchair. At one end of the sofa
stood a lamp table with a pretty, old-fashioned kerosene lamp on it. The mate
of this lamp, which had a flowery white shade, stood on the dining table. A
third hung from the ceiling. As evening fell and dinner-time came, Mrs.
Fitzpatrick lit all three of these with a match. They gave off a pleasant, warm
yellow light, much nicer than electric bulbs.”
Like Rivendell, this is a house that Ellen must leave to
carry on on her quest, and we don’t return to it for the rest of the book – why
could he not have written a sequel??
Thursday, 25 May 2017
A Knife in Darkness booksigning - really happening!
Here's Blackwell's window in Old Aberdeen with the display for Mayfest, and there in the corner is A Knife in Darkness! I'm quite happy to be shoved over to the side by Tony Robinson, and indeed probably overshadowed by the archaeological dig happening just outside 15th. century King's College down the High Street.
If you're around Aberdeen, any moral support that you can offer at 12.30 this Sunday, 28th. May, would be gratefully received!
Tuesday, 9 May 2017
Poking the seaweed at Montrose estuary
Off to the Scottish Wildlife Trust centre at Montrose estuary last week for an hour or so of dragging ourselves through the mud. It's a superb site for all kinds of estuary birds and wildlife, though the mud is a bit risky at low tide!
We saw plenty of sandmartins in the artificially-constructed nestbank, but didn't see the kingfisher! There's plenty of different seaweed, lots of life under it, too, and very neat little crabs.
Outside the primroses were in full bloom amongst the fading daffodils. Then it was off for a Danish in a suitably Danish cafe nearby, and back home.
We saw plenty of sandmartins in the artificially-constructed nestbank, but didn't see the kingfisher! There's plenty of different seaweed, lots of life under it, too, and very neat little crabs.
Outside the primroses were in full bloom amongst the fading daffodils. Then it was off for a Danish in a suitably Danish cafe nearby, and back home.
Tuesday, 2 May 2017
Eating Robots - book review
The
future is bright…or is it?
Step into a high-tech vision
of the future with the author of Quantum
Confessions and Fluence, Stephen Oram.
Featuring health-monitoring
mirrors, tele-empathic romances and limb-repossessing bailiffs, Eating Robots explores the collision of
utopian dreams and twisted realities in a world where humanity and technology
are becoming ever more intertwined.
Sometimes funny, often
unsettling, and always with a word of warning, these thirty sci-fi shorts will
stay with you long after you’ve turned the final page.
A universal booklinker link that detects which country you're
in and links to Eating Robots myBook.to/EatingRobots
Stephen Oram writes thought provoking stories that mix
science fiction with social comment, mainly in a recognisable near-future. He
is the Author in Residence at Virtual Futures', once described as the
'Glastonbury of cyberculture'. He has collaborated with scientists and
future-tech people to write short stories that create debate about potential
futures, most recently with the Human Brain Project and Bristol Robotics
Laboratory as part of the Bristol Literature Festival.
As a teenager he was heavily influenced by the ethos of punk.
In his early twenties he embraced the squatter scene and was part of a
religious cult, briefly. He did some computer stuff in what became London's
silicon roundabout and is now a civil servant with a gentle attraction to
anarchism.
He has two published novels - Quantum Confessions and Fluence
- and several shorter pieces.
Find Stephen Oram
on:
Goodreads
My review:
A collection of sharp little short stories, or episodes, set in the near
and pretty horrible future. It’s not absolutely clear if it is one future
vision or several related ones, but it’s certainly fairly dystopian in a way
that makes it all too clear how we got there from here. These stories will make
you think, shudder, and perhaps even modify some of your behaviour, just in
case … Included at the end are several responses to the questions asked by some
of the stories, submitted by academics, which makes an interesting if
unexpected counterpoint to the stories themselves. Well-written and
disturbingly imagined, these stories will live with me for a while. Definitely worth reading.
Monday, 1 May 2017
April's literary house
I had this all set to go then in the rush to the book launch on Saturday forgot all about it!
There are few imaginary homes which have so influenced modern architecture, albeit usually of the individual, self-built sort, than Bilbo Baggins’ hole in the ground in The Hobbit, so I know I am far from alone in fantasising about owning my own hobbit hole. All together now!
There are few imaginary homes which have so influenced modern architecture, albeit usually of the individual, self-built sort, than Bilbo Baggins’ hole in the ground in The Hobbit, so I know I am far from alone in fantasising about owning my own hobbit hole. All together now!
‘In a hole in the ground …’
“In a hole in the ground there lived a hobbit. Not a nasty,
dirty, wet hole, filled with the ends of worms and an oozy smell, nor yet a
dry, bare, sandy hole with nothing in it to sit down on or to eat: it was a
hobbit-hole, and that means comfort.
It had a perfectly round door like a porthole, painted
green, with a shiny yellow brass knob exactly in the middle. The door opened on
to a tube-shaped hall like a tunnel: a very comfortable tunnel without smoke,
with panelled walls, and floors tiled and carpeted, provided with polished
chairs, and lots and lots of pegs for hats and coats – the hobbit was fond of
visitors. The tunnel wound on and on, going fairly but not quite straight into
the side of the hill – The Hill, as all the people for many miles around called
it – and many little round doors opened out of it, first on one side and then
on another. No going upstairs for the hobbit: bedrooms, bathrooms, cellars,
pantries (lots of these), wardrobes (he had whole rooms devoted to clothes),
kitchens, dining-rooms, all were on the same floor, and indeed on the same
passage. The best rooms were all on the left-hand side (going in), for these
were the only ones to have windows, deep-set round windows looking over his
garden, and meadows beyond, sloping down to the river.”
I think any fan must have cheered when they saw the
recreation of Bag End in the first Lord of the Rings film – just what we’d
always dreamed of!
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